🎉🎉🎉#新媒體藝術家黃心健《 #輪迴》上集奪 #法國坎城影展最佳VR敘事大獎 ‼️
法國坎城影展市場展( Marché du Film - Festival de Cannes )於台灣時間2021年7月13日午夜於沉浸式虛擬場館MOR ( Museum of Other Reality)舉辦頒獎典禮並揭曉得獎名單,臺師大特聘教授、新媒體藝術家黃心健VR以最新力作《輪迴》上集(Samsara Ep.1)自16部精采的入圍作品中脫穎而出,一舉奪下本屆最佳VR敘事大獎( Best VR Story)殊榮。
《輪迴》上集是首部獲頒此重要獎項的台灣原生VR作品,台灣驚人的VR創作實力再度揚名國際!
黃心健在頒獎典禮上致詞:「首先,感謝坎城評審團的肯定與鼓勵,很榮幸能夠得到最佳VR敘事大獎。也感謝 國立臺灣師範大學 National Taiwan Normal University 、 文化內容策進院 Taiwan Creative Content Agency 與VR 體感劇院 VR FILM LAB 的全力支援,才能讓《輪迴》得以順利地製作完成。由衷感謝所有參與製作《輪迴》的幕前、幕後製作人員,一起讓來自於台灣精彩VR作品,再次讓世界看見。」
《輪迴》的劇情牽動著生態、科技、資源分配與戰爭等多元議題,是一段人類自核毀滅後逃離地球的故事。殘存的人類嘗試在無垠的星際中,尋找下一個可以賴以生存的新星球,並以人工方式進化成一種新的生命體。但許多年過去了,人們漸漸發現其實自己永遠到不了夢想中的全新星球,他們只不過是在另一個時代,以不同的生命形式,一遍遍地返回地球。黃心健藉此反思深刻反思生命哲理,並應用了所謂「具身認知」的抽象概念,以此讓觀眾轉換到不同的肉體中,進而以全新的視角來體驗《輪迴》上集片中的世界觀。
作為全球最受矚目的影展項目之一,法國坎城影展市場展為一向是全球影人不容錯過的影壇趨勢指標。而今年度為減緩疫情衝擊,Cannes XR 單元與 VR 線上內容平台 VeeR 攜手合作,特別在虛擬場館 MOR中打造大型的影展會場。活動展間的呈現方式非常活潑豐富,坎城團隊打破了現實世界中音訊、材料與硬體限制,以超現實的效果來為全世界的觀眾提供最為華麗的展場體驗,從觀影、走紅毯、入座到致詞,與會者皆透過VR頭顯連線參與頒獎典禮,黃心健尤其驚豔於主辦單位為他打造的專區。以創新的虛擬形式舉辦典禮,也正契合了VR作為影界新猷的開創性。
《輪迴》上集繼三月榮獲美國西南偏南影展( #SXSW)「虛擬劇場」項目最大獎殊榮「評審團獎」後,再度斬獲國際影展肯定,再次證明了台灣深厚的VR創作實力!完整版《輪迴》預計將於今年九月起展開全球影系列巡演,並將在今年10月回到台灣高雄,作為亞洲首映展出。欲一睹風采的台灣的影迷敬請期待!
🎉Taiwan's VR artist Hsin-Chien Huang Wins the Best VR Story Awards of Cannes XR‼️
The awards ceremony of Le Marché du Film will be held at midnight of July 13, 2021, at the Museum of Other Reality. The latest VR production by Distinguished Professor of NTNU, artist Hsin-Chien Huang, has been riding high among the other 16 nominated productions and bring home the prestigious "Best VR Story" award. " #Samsara Ep. 1" is the first native VR production from Taiwan to receive such honor and has once again put Taiwan on the map!
In the acceptance speech, Huang first mentioned that he would like to thank the jury for the recognition and encouragement. It was a great honor for him personally to win this award. He'd also like to thank the full support from NTNU, Taiwan Creative Content Agency and the VR FILM LAB of Kaohsiung Film Archive for making the production happen. Finally, he thanked all the crew members for showing the world how amazing the VR production from Taiwan.
The plot involves many different social issues, including ecology, technology, natural resource, and war. It's about a journey for humans after destroying the Earth with nukes. The survivors seek a new planet to carry on their lives in the limitless interstellar space, gradually evolve into a new life form artificially. Yet, after so many years, they have come to realize that they would never make it to the new planet that they have been dreaming of. They have been simply returning to the Earth in different life forms time after time. Huang uses the story to reflect on the philosophy of life and applies the concept of "embodied cognition" to teleport audiences to different bodies and experience the worldview of "Samsara" via a new perspective.
As one of the most famous film festivals globally, the Cannes Film Festival has always been a trial balloon for filmmakers around the globe. This year, to lower the impact of the pandemic, the Cannes XR has built a unique venue in the MOR (Museum of Ohter Reality) with VeeR VR , an online platform for virtual content, offering various exhibitions during the event. The team has broken down the barriers across materials, audio, and hardware, in reality, using surreal effects to provide the most magnificent viewing experience. From screening, walking on the red carpet, being seated to giving speeches, all the details are not left out through the VR headsets. Huang is especially impressed by the special area built for him by the host team. The ceremony is presented virtually innovatively, resonating with the groundbreaking feature in the VR film industry.
After winning the top award of the SXSW, "Jury Awards", "Samsara" has yet again captured the attention of another international film festival, testifying the profound and vibrant creativity of VR from Taiwan. The full version of "Samsara: will start its tour in September this year and come back to host its Asian premiere in Kaohsiung in October.
🔎新聞聯絡人: 陳仲賢
✉️E-Mail: chunghsien1992@gmail.com
▪️更多關於黃心健與《輪迴》消息請繼續
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同時也有5部Youtube影片,追蹤數超過3萬的網紅National Palace Museum國立故宮博物院,也在其Youtube影片中提到,「一場虛實之間的藝術漫遊」 “An artistic journey that transcends the tangible.” 「揭開東西藝術史VR敘事」 “Witness the history of eastern and western art in VR.” 「國際博物館尖峰交會,探...
「festivals around the world」的推薦目錄:
- 關於festivals around the world 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
- 關於festivals around the world 在 Facebook 的最佳解答
- 關於festivals around the world 在 Facebook 的精選貼文
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festivals around the world 在 Facebook 的最佳解答
Happy Vaisakhi to everyone😍
Millions of Sikhs around the world will celebrate the centuries-old festival of Vaisakhi this week, one of the most important dates in the Sikh calendar. The festival marks several important dates, including the spring harvest festival, the Punjabi New Year and the year Sikhism was born as a collective faith in 1699.
Vaisakhi takes place on 13 or 14 April each year and Vaisakhi is one of the main festivals celebrated by Sikhs😍#Vaisakhi #vaisakhi2021 #Baisakhi #BaisakhiFestival #sikh #sikhism #sikhfestival #qbobo #喬寶寶
festivals around the world 在 Facebook 的精選貼文
‘A Note to Harmonica Folks’
What’s next?
Since the day I was born, I have known the most prestigious harmonica competition in the world, The World Harmonica Festival (WHF). Every harmonicist around me see this as the olympics of harmonica, especially when they are both held once every four years.
My father’s ensemble King’s Harmonica Quintet was one of the very first few Asians harmonicist that appeared in the competition in Germany after the format of the competition turned from taped recording to live performance. In 1997, 3 years after I was born, they won their ‘World Championship’ in the WHF. I witnessed it.
It was a historical moment not only because was it a massive honour to be crowned in such reputable competition, it was the period when Asian harmonicists were approved by the Western.
Since then, the global harmonica community started to merge and interact. While harmonicists from the West continue to develop their artistry and career under a relatively strong cultural foundation for instrumental music, harmonica music to be exact, by virtue of the legends such as Tommy Reilly, Larry Adler, Toots Thielemans, Asians harmonicists struggle to further their artistry without the corresponding cultural foundation. A market for harmonica music in Asia simply do not exist.
Nevertheless, Asian culture values diligence and discipline. With the competition as the highest possible way to be rewarded as we develop our artistry, countless players began working day and night towards this very, if not only, visible goal.
Up till this day, you’d be surprised if there aren’t any Asian standing on the prizing podium in the international harmonica festivals. According to a Facebook post of the renowned Taiwanese Harmonicist in 2013, Lee Hsiao-ming, ‘If you show up at a harmonica festival, you can easily be surrounded by a group of ‘World Champion’s all queuing up for that plate at the buffet.’ Be him a chord harmonica player from an ensemble, a soloist at the open category or a 10 year old kid from the youth category… all claiming to be the ‘World Champion’.
Now the question is, Is the ‘World Champion’ in 1997 still the same ‘World Champion’ now? Or are we unconsciously abusing the only system we can count on to gain qualification to ourselves?
As Gerhard, the president of the World Harmonica Festival, has also repeatedly emphasized before, champion of any event of the WHF competition should NOT claim himself / herself as the World Champion. It should properly be addressed as Champion of the " XXX event" of the World Harmonica Festival.
While varies important figures in the global harmonica community started participating in this fierce debate, I was curious about the root of this controversy.
Would anyone accused Usian Bolt of abusing his Olympic gold medals to pursue further in his career? Would anyone question Danill Trifonov’s artistry if he claim himself the winner of Chopin Piano Competition? Could Michael Jordon ever obtain a ‘fake’ NBA championship?
Obviously, there is nothing wrong about winning and taking pride off an award. The real issue instead lies in the opposite side of the question. Is the existing harmonica competition rigorous enough to qualify the winner a ‘World Champion’? Or, should a ‘World Champion’ even exist in a musical setting?
In order to understand what a truly rigorous musical competition is, we began digging into the competitions of all instruments at the highest calibre. For instance, when studying the difference of the format of the International Tchaikovsky Competition with the World Harmonica Festival, we have realised how far behind the harmonica competition is constructed. I won the Solo Championship in the World Harmonica Festival 2013 only by playing a total of 10 minute of music. While a contestant at the qualifying round at the Tchaikovsky Competition would already have to prepare up to 30 minute of music. Meanwhile, not a single competition in the classical world would claim themselves the competition of the best. It seems like the title ‘World Champion’ could only be justified when it’s within sports, where the result can be calculated and compared. We can’t calculate art.
We have came a long way since the harmonica was invented 150 years ago. And I’m extremely excited to see new generation of player arising from all around the world. Nevertheless, while festivals are taking a pause during covid, we should make the best use of this period of time and rethink about how we could contribute to the culture and further bring our instrument to the next level.
So, what’s next? 🤔
festivals around the world 在 National Palace Museum國立故宮博物院 Youtube 的最佳貼文
「一場虛實之間的藝術漫遊」
“An artistic journey that transcends the tangible.”
「揭開東西藝術史VR敘事」
“Witness the history of eastern and western art in VR.”
「國際博物館尖峰交會,探索VR未來之境」
“Internationally prestigious museums join forces to create a VR odyssey.”
「故宮南院奇幻嘉年華:21 世紀博物館特展」為故宮邀集法國羅浮宮、英國泰特現代藝術館、法國橘園美術館、德國舊國家美術館、捷克慕夏基金會共同策劃,即將帶給大家一場虛實整合的文明奇幻之旅!
A CARNIVAL OF FANTASIES: A Special Exhibition of 21st Century Museums at the Southern Branch of the NPM is co-organized by the National Palace Museum (NPM), Musée du Louvre, Tate Modern, Musée de l'Orangerie, Alte Nationalgalerie, and the Mucha Foundation. It will soon send you on a fantastic journey through civilization across the physical and virtual realms.
嘉年華 (Carnival) 廣泛代稱慶典,源自中世紀 「狂歡節 」。屬於東方的歡樂節慶,可在歷代風俗畫中窺見,而 20 世紀蘇聯思想家巴赫金認為 「狂歡節 」亦是一場精神感官的釋放,呼應本次策展以 「新媒體藝術 」獻給觀眾一 場穿梭文明珍奇的 「幻境狂歡 」。本展除了呈現故宮近年屢獲國際大獎的虛擬實境、擴增實境及混合實境,更結合 來自多座世界頂尖博物館的精彩虛擬實境製作。展覽以故宮近年豐碩的新媒體藝術為主軸,規劃 「璀璨光河 」 、 「故宮啟航 」 、 「羅浮宮驛站 」「美學世界 」四大展區,展覽更以 「奇」字象徵博物館的珍奇藏品,「幻」字則開展科 技世界下的虛擬幻境,交織一場虛實共舞的流動盛宴。
The word "carnival" originated from the medieval period and is widely used to mean "celebration," while festivals in the East can also be found in genre paintings throughout history. Mikhail Bakhtin, the 20th Century Soviet philosopher, believed that "carnivals" were a release of the spirit and senses. Bakhtin's ideas cohere nicely with the exhibition theme as new media art brings visitors a perception of illusion and polysensory experiences. In addition to presenting the National Palace Museum's award-winning virtual reality (VR), augmented reality (AR), mixed reality (MR) programs and other new media artworks, the exhibition will also feature incredible virtual reality experiences from leading museums around the world. This exhibition is divided into four sections: "River of Time," "NPM Voyage," "The Louvre Station" and "Aesthetic World". The other worldly features of the exhibited works are also embedded in the exhibition's Chinese title, with the word " 奇 " symbolizing the museum's rare and invaluable collections, and the word " 幻 " referring to the virtual fantasies created with modern technology.
工作人員名單
國立故宮博物院 National Palace Museum
發行人 Issuer
院長 Director/吳密察Wu, Mi-Cha
專案指導Advisor
副院長 Deputy Director/黃永泰 Huang, Yung-Tai
策展團隊 Curatorial team
教育展資處 Department of Education, Exhibition and Information Services
處長 Chief Curator/ 徐孝德 Hsu, Hisao-Te
副處長 Deputy Chief Curator/ 謝俊科 Hsieh, Chun-Ko
科長 Section Chief/ 吳紹群 Wu, Shao-Chun
策展執行 Exhibition Executive/賴志婷Lai, Chih-Ting
網站事務 Website Administrator/黃瀞萩、黃郁涵 Huang Ching-Chiu, Huang Yu-Han
南院處 Southern Branch of National Palace Museum
處長Chief Curator/彭子程 Peng Tzu-Cheng
科長Section Chief/于秉儀Yu,Biing-Yi
助理研究員 Assistant Curator 鄭莉蓉 Cheng, Li-Jung
助理研究員 Assistant Curator 羅勝文 Lo Sheng-Wen
設計與施作 Design & Construction
安益國際展覽股份有限公司Interplan International Design
鳴謝 Acknowledgements
HTC VIVE Arts
Cécile Debray
Marcus Mucha
Dominique de Font-Réaulx
Yann Le Touher
Adrien Franceschi
Katie Durand
Sophie Parkin
Emissive Studio
GebruederBeetz
Lucid Reality
festivals around the world 在 RinRin Doll Life in Japan Youtube 的最佳貼文
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・Festivals in Ibaraki Prefecture, Japan
https://english.ibarakiguide.jp/themes/festivals.html
・Ishioka-no-Omatsuri Festival in Ibaraki Prefecture, Japan
https://english.ibarakiguide.jp/kanko-spot/ishioka-festival
・Ibaraki Info
https://ibakira.tv/movieLists/program/10
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festivals around the world 在 Tina Yong Youtube 的最讚貼文
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